1 Le Grand Tango 8.34
2 Invierno Porteno 3.41
3 Primavera Portena 4.01
4 Verano Porteno 4.42
5 Otono Porteno 3.40
6 Libertango 6.52
7 No. 1 2.42
8. No. 2 3.41
9. Zita 5.14
History of Tango
10 Bordel 3.47
11 Cafe 1930 6.39
12 Night Club 5.53
13 Concert d'Aujourdhui 2.45
Total time: 62.28
Arranged by Sofia Gubaidulina (1)
Yuri Kasparov (6, 10 , 12), commissioned by Vista Vera
Jaroslav Krasnikov (11, 13), commissioned by Vista Vera
Soloists of the Moscow Contemporary Music Ensemble
Mikhail Dubov, piano (1-6, 9-13) Jaroslav Krasnikov, violin (1,
Sergei Sudzilovsky, cello (11)
Ilia Lundin, flute (7, 8, 10 -13)
Oleg Tanzov, clarinet (10-13)
Valery Popov, bassoon (6, 10 - 13)
Alexei Volkov, saxophone (10, 12)
Recorded by Vista Vera 2003
Astor Piazzolla was born on March 11,1921 in Mar del Plata, Argentina.
When he was 8 years of age his father gave him bandoneon which he
had bought at a pawn shop for 19 dollars. Bandoneon, a close relative
of the accordion, became Piazzolla's first instrument. He preserved
his love for it till the end of his life.
Young Piazzolla revealed astonishing musical talent. He made his
first record at the Radio Recording Studio in New Yourk when just
10 years of age. Two years later Pizzolla takes piano lessons from
the Hungarian pianist, Bela Wilda, who was a student of Rachmaninov.
It was Wilda who discovered Bach for him. In 1936 Piazzolla begins
playing in orchestras with exclusive tango repertoire. The world
of tango became his second grand discovery.
Two years later Piazzolla moves to Buenos Aires. He plays in orchestras
and continues his musical education taking lessons from a famous
composer Alberto Ginastera, and from a pianist Raul Spivak.
The formation of Piazzolla as a professional pianist commences in
1943 with writing of his first classical composition, Suite para
Cuerdas y Apras. And in 1946 he writes his first tango, El Desbande.
However, three years later Piazzolla abandons the genre of tango
and ceases playing in orchestras. He concentrates instead on studying
Bartok and Stravinsky, and he listens to jazz. In 1950 he comes
back to tango but this time on an entirely different conceptual
In 1953 Piazzolla presents a three part sympony work, Buenos Aires,
for the Fabien Sevitzky competition and wins the first prize. In
1954 he moves to Paris. Since 1958 he lives in New York and since
1970 in Europe. His music sounds and is recorded in France, Germany,
and Italy. Between 1970 and 1978 Astor Piazzolla writes such popular
compositions as Libertango, Suite Troileana and many others.
In the course of the next ten years Piazzolla's popularity reaches
its peak. Concerts with his music are held in Europe, South America,
Japan and USA. In 1982 he writes his most famous composition, Le
Grand Tango, and dedicates it to Mstislav Rostropovitch. The Russian
maestro first performs it in 1990, in New Orlean.
Astor Piazzolla died on July 4,1992, when he was a most celebrated
Piazzolla's creative heritage includes over 1000 compositions. His
music is performed by musicians of various styles, like violinist
Gidon Kremer, guitarist Al Di Meola, cellist Yo-Yo Ma, pianist Arthur
Moreira Lima, Kronos Quartet.
This CD presents some of most popular Pizzolla's compositions.
Le Grand Tango sounds in a version that was arranged by Sofia
Gubaidullina for violin and piano. The substitute of violin by cello
only emphasizes the sensuality of the music.
My version of the Libertango was made for the outstanding
Russian musician, bassoonist Valery Popov whose repertoire includes
the music of all countries and epochs, from baroque to avant-garde.
A four-part cycle, Invierno Porteno, Primavera Portena, Verano
Porteno, Otoco Porteno is performed here by piano solo. A "black-and-white"
timber version emphasizes the plastic of the music and the spice
of the harmonious accords.
Of six Tango-Etudes we left here only two, the first and
the last. It is not because the rest are not good. We sacrificed
them to maintain the general dynamics of the disc. Our idea was
that one should listen to this disc from the beginning to the end
at one breath.
A piano miniature Zita represents a bright example of confluence
of two Piazzolla's worlds, that of Bach and the world of tango.
History of Tango cycle is represented here in different instrumentations.
I made versions of first and third pieces for the Moscow Ensemble
of the Modern Music when they were about to start their tour over
Russia. A combination of four wind instruments including such "polar"
as saxophone and bassoon appears non-standard, at least there are
not too many analogues to it in the ensemble practice.
Violinist Yaroslav Krasnikov made accordingly versions of even pieces
of the cycle. He supplemented the wind instruments with violin and
cello thus enriching the range of expression and emphasizing the
contrast between the sections of the music.